How I Fell In Love With Eva Ras
In Sarajevo, in a cinema’s projection sales space, lives Sena; a lady who in every day solitude repeats the projection of the few Yugoslavian movies of which there are copies. By a mix of silence, the on a regular basis gestures of this lady and the movies which might be projected from her front room, comes a movie constructed like a day in Sena’s life. By the movies that Sena tasks, we’re taken on a journey in each collective and private reminiscence. The movie gives a portrait of intimacy crossed with a historical past witnessed by cinema; a historical past which Sena has conserved.